Blackstar Series One 45 Owner's Manual Page 6

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16. Treble
The Treble control allows exact adjustment of the treble frequencies within the
sound. At low settings (counter clockwise) the sound will be warm and darker in
character. As the Treble control is increased (clockwise) the sound will become
brighter. At the maximum settings the sound will be aggressive and cutting.
17. ISF (Innite Shape Feature)
The patented ISF control works in conjunction with
the Bass, Middle and Treble controls. It allows you
to choose the exact tonal signature you prefer. Fully
counter clockwise has a more American characteristic
with a tight bottom-end and more aggressive middle,
and fully clockwise has a British characteristic which
is more ‘woody’ and less aggressive.
Unlike conventional ‘contour’ controls and parametric equalisation systems, the
Bass, Middle and Treble controls remain interactive with each other just like in a
traditional guitar amplier tone stack. This leads to a very familiar, musical response.
Master
18. Resonance
The Resonance control sets the overall bass response of the S1-45. At lower
settings the cleans will be tight and funky and overdrives will be focussed in their
bass response. At increased settings the clean sounds will be become full and
warm, whilst the crunch and overdrive tones will be more bass heavy and resonant.
19. Presence
The Presence control sets the overall treble response of the S1-45. Percussive high-
end can be accentuated on clean sounds and the amount of aggressive treble
controlled with crunch and overdrive settings.
20. Volume
This controls the overall volume of your amplier. Turning it clockwise increases the
volume.
21. DPR (Dynamic Power Reduction)
The patented DPR control allows the output power of the S1-45
to be reduced anywhere from 45W (100%) down to 4.5W (10%)
of the rated power.
DPR works by controlling the power supply voltages to the EL34
output valves and also the level of drive signal into the power
amplier stage. Importantly, there are no components placed
in between the output valves, the output transformer and the
loudspeaker – a relationship which is essential in the delivery of
valve tone.
In addition to reducing the output power of the S1-45, the DPR system actually
controls the amount of power amplier compression too. Power amplier
compression is a key ingredient in the characteristics of low powered valve amplier
tone and gives a very playable ‘feel’ to the S1-45 at reduced power settings.
We would recommend experimenting with the channel Gain and Volume, Master
Volume and DPR Control to achieve various combinations of preamplier and power
amplier distortion / compression.
Note: Generally speaking the more DPR is applied (i.e. power is reduced) the more
dynamic compression and power amp clipping will be experienced at any given
volume.
Clean DPR Operation
The DPR control is extremely powerful in ne-tuning the exact dynamic compression
characteristics of the power amplier.
Channel Channel Channel Master DPR Description/Sound Character
Gain Volume Volume
Clean Low Mid Mid High Maximum pre and power amplier
headroom yields extremely dynamic
clean sounds.
Clean Low High High Low Increasing drive to the power
amplier and reducing output power
gives a compressed clean sound rich in
power amplier induced harmonics.
Clean High High High Low Higher channel gain further increases
the power amplier drive producing a
‘full stack’ crunch tone at only 4.5W
output power.
Overdrive DPR Operation
The DPR control allows you to pin-point exactly how much valve overdrive you want
to come from the preamplier section and how much is coming from the EL34s in
the power amplier section.
Channel Channel Channel Master DPR Description/Sound Character
Gain Volume Volume
Clean Low/Mid Mid Mid High Lower gain settings provide a dynamic
crunch utilising the full 45W of
available headroom.
Clean Low High High Low At these settings there is a blend of the
distortion and compression generated
in the preamplier and power amplier
valves. We recommend that you
experiment to nd your ‘sweet-spot’.
Clean High High High Low Here maximum preamplier gain is
combined with the lowest power
amplier output for maximum valve
saturation.
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